Tuesday, April 14, 2015

Ringo: With a Little Help by Michael Starr

Does Ringo Starr get enough credit as a musician? Other professionals have cited his influence on them, mainly by virtue of The Beatles' reach and an equal focus on all four members. Think of how many kids watched the band on Ed Sullivan and went on to pursue music - not all of them became guitarists.

Others may argue that Ringo is no Buddy Rich or Neil Peart - then again you can reverse that argument. How well would Neil and Buddy have paraded through A Hard Day's Night or mugged through Help! and The Magic Christian without Ringo's effusive charm? Legend has it Buddy once told a young fan, "fuck off, kid," so it's safe to say we wouldn't have heard him narrating any Thomas the Tank Engine stories.

Ringo was/is a drummer, memorable enough to make Best Of lists, and more so an entertainer. Think of each of the Beatles movies: Ringo has a significant side story in AHDN, is practically the focus of Help!, and opens Yellow Submarine and Magical Mystery Tour. Sometimes people debate over rock groups and the possibility of expendable members. Ringo isn't one of them.

Ringo the musician is not without his critics, but it's not enough to dismiss his skills entirely. He can claim a fair number of fans in the industry. While he didn't enjoy lasting solo success on the music charts compared to the other ex-Beatles, he never had a problem lining up capable sidemen for his albums. Check the liner notes of any of his records - each is a who's who in classic rock. I can't say if these music makers expected high sales, but it's clear they believe enough in Starr's talent to give their time to him.

Despite five decades in the public eye, you don't find much in the way of detailed biographies on the man. Look on Goodreads, and you'll see his photography collections, and a few bios with negative reviews - claims of poor writing and research. Michael Starr's Ringo: With a Little Help (AMZ / BN / ITUNES) may very well set a precedent. Like other Beatle biographies, this is an unauthorized work - author Starr (no relation, of course) even notes a Facebook post from Starr's official page denying any participation in the book's creation. It's possible Starr isn't interested in having his whole life story told, which makes sense considering the professional and personal nadirs revealed here.

The tone of Ringo, however, is kind. Ringo reads quite the opposite of Howard Sounes's Fab:An Intimate Life of Paul McCartney (reviewed here). Where Sounes's biography teeters between disappointment of and scorn for its subject, Ringo is almost apologetic in recounting post-Beatle struggles, as though the author doesn't want to put the star in a bad light. Even so, consider the content to work with: a string of low-charting solo albums (when they did chart), low-grossing movies and failed TV pilots, and a decade's worth of drunken debauchery. Hey, it happened, but Ringo survived. His All Starr Band is on it's thirteenth tour, and he's about to be inducted solo into the Rock and Roll Hall of Fame. Granted, it's being done not as a performer but under the title of Outstanding Achievement in the Field of Excellence or whatnot, but the Rock Hall could simply have let the Beatles induction suffice for him.

On top of all this, he's 75 and looks 40. Eat your broccoli, kids.

As a biographer, author Starr appears to have done his homework. Ringo comes with an extensive bibliography and list of cited sources, though it looks as though he relied heavily on certain ones - specifically Beatles books I've read for the first third of the history. You won't find many new revelations in the Beatles era, beyond the hints of reunion in the following years. One nit pick: the book states the claim of a near crime-free evening in New York during the Sullivan show, which the people at Snopes have debunked.

Ringo's post-Beatle debauchery well matched, if not surpassed, the decadence of Lennon's fabled Lost Weekend, only in his case it's a Lost Decade or two. You would expect a more rounded portrayal of Ringo here, and experience his frustration of wanting to move on from the past. I get the impression, though, author Starr is more interested in protecting Ringo and downplaying some of the uglier public moments. They exist.

With the new tour and Rock Hall honors, and every year until 2020 will be the 50th anniversary of something Beatle-related, Ringo is a timely release, one for fans interested in more about the man who inspired so many to pick up sticks.

Rating: C+/B-

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