2113 on Amazon.
Andy Rooney said, "Writers never retire." Drummers...well, it happens and it's not always voluntary. We know Neil Peart can't rock the solos forever, short of having bionic arms installed (don't think somebody hasn't suggested it), and if you've read recent interviews you know what's on his mind. Family. Writing. Somewhere he's said he hoped to adapt Clockwork Angels the novel to film. So yeah, he's not going anywhere in a sense.
While I didn't love the Clockwork Angels novel, I think there's strong potential in a film. Tighten the story and give it to right director, and I'll go see it. I haven't yet read the followup, because to be honest 2113 intrigued me more. Multi-author anthologies, for me, are a mixed bag in terms of quality, but this being a collection of stories - 16 of which are inspired by Rush songs - proved too tempting to resist.
Of the 18 authors included in the book, I've read three prior, including Kevin J. Anderson and Mercedes Lackey (I'd read somewhere she based the character Dirk from the Valdemar novels on Geddy Lee). Most die-hard fans have searched the Internet to read "A Nice Morning Drive" by Richard S. Foster, which inspired Neil to write "Dead Barchetta." It is part of this collection, and Fritz Leiber's "Gonna Roll the Bones" is the other reprint.
So we have 18 stories, each connected to a specific Rush song. The cover and roster suggest all science fiction, and you'll find everything from hard SF to futuristic drama here, but 2113 also showcases some paranormal mystery and noir. For the most part, Easter eggs of Rush lyrics are scarce - which suits me fine. The stories flow nicely, much like in Rush albums where the individual songs connect to form an all-encompassing concept.
Highlights for me in 2113 include:
"On the Fringes of the Fractal" by Greg Van Eekhout - Futuristic YA about loyalty and friendship, a willingness to sacrifice social standing for a friend.
"A Patch of Blue" by Ron Collins - Another theme of "deviating from the norm," as one Rush song goes, where creators in two different realms take similar paths for what they believe is right.
"The Burning Times, V2.0" by Brian Hodge - Like Fahrenheit 451 crossed with Harry Potter; a young fights censorship and as a result has to save himself.
"The Digital Kid" by Michael Z. Williamson - A dreamer's journey to overcome disability.
"Some Are Born to Save the World" by Mark Leslie - The story of a superhero's mortality.
I won't reveal which songs inspired which stories. As noted in the book's introduction, one doesn't need to be familiar with Rush's music to enjoy the book. That the majority of the contributing authors have backgrounds in SFF keep the stories cohesive. A fair number of Rush fans I know enjoyed Clockwork Angels, but I think they will appreciate this book as much, if not more.
My only nitpick with this collection: only one female author in the bunch. If the boys sanction this as a franchise, perhaps 2114 could feature a few more women writers. Lady Rush fans do exist.
Kathryn Lively is a lady Rush fan.
Friday, January 1, 2016
Wednesday, September 12, 2012
If you follow Rush religiously (sorry), you may find the former elements curious, since steampunk isn't something one would associate with them. Having browsed Anderson's bibliography, steampunk doesn't appear to be a major genre for him, and I would hesitate to place Clockwork Angels the novel solely in this category. As I read the story I didn't get a true sense of time to go with the settings - odd considering time is a primary theme. One could see this as a fantasy or dystopian adventure as well.
Anderson and Peart's clockwork world is comprised of a few major continents and cities with names drawn from mythology and ancient tradition: Posiedon City, Atlantis, and Albion...an ancient name for the island of Great Britain. Here the people seem more apt to pursue manual labor, save for those who study at the Alchemy College. We are told that the country of Albion had suffered turmoil and crime before the appearance of the benevolent and enigmatic Watchmaker. For the following two hundred years through the present day, Owen's bucolic home of Barrel Arbor, the more cosmopolitan Crown City, and surrounding villages live in peace and punctuality. You can literally set your watch by everything that happens, from the distribution of national news to changes in the weather. All is for the best, as the Watchmaker is known to proclaim, and few people argue with those words.
The two who do challenge this order have different motives. Owen seeks adventure and the opportunity to live out a story he can tell his grandchildren one day; the legendary Clockwork Angels who parrot the Watchmaker's maxims draw him to Crown City, and the wonder of a traveling carnival entices him to extend his journey. The story's antagonist, the Anarchist, creates havoc in hopes of waking people to the realization that the Watchmaker doesn't exactly have Albion's best interests at heart. The way he carries on, of course, makes one wonder if the Anarchist's view of the world is any better.
In keeping with the story's connection to Clockwork Angels the album, an assortment of song lyrics and characters provide ample references, perhaps a bit much. A reader more familiar with Anderson's work than Rush's may be able to breeze through the book without making many connections, but I have to admit I found the Easter egg-style lines distracting at times. Anderson doesn't limit himself to the recent album, either, in this respect. A character shouts, "Presto!" and I know there's more to it than the parlor trick he's performing.
What disappoints me more about this book, however, is the overall style. Between the many instances of telling instead of showing (and this is not another song reference) and repetitiveness of narrative and dialogue (more than once the author has Owen recapping his adventures and echoing lines) made it difficult for me to appreciate the story. I get the impression, too, that maybe the author hoped to attract the YA reading audience in addition to Rush's older fan base. Owen's young age and the dialogue may imply that, but I think of other books I've read in the dystopian YA genre (most notably The Hunger Games) and find them more sophisticated in style and dialogue.
Clockwork Angels had the potential to deliver a thought-provoking adventure, but the writing just didn't grab me. When I think of the other Anderson/Peart collaboration, the story "Drumbeats" (reviewed on this blog), I find I enjoyed that more. For its length, "Drumbeats" is a tighter story with better dialogue - it is also in first person, which makes me wonder if Anderson had attempted Clockwork Angels in that POV would the story be improved.
Will you like this book more if you're a Rush fan? You certainly don't have to be one to read it. The book hasn't changed my perception of the album, but I do know I'll revisit the songs more than the story.
Kathryn Lively is a mystery author and a book blogger.