AMZ) you might expect a vivid portrait of 60s and 70s rock as it evolved and how the people who created the sound lived.
You do find it, to some extent. As Johns explains in Sound Man, he came to music with the intent of singing and performing when circumstances led him to the engineer's booth and kept him there for better part of four decades. This book, though, is more technical than dramatic, with Johns focusing less on his personal life (and therefore his relationship with many of the players) in favor of the mechanics of recording music. If you'd prefer to know the equipment and recording methods used to create Let it Be and Sticky Fingers you struck gold. If you want eyewitness accounts of groupies and candy bar urban legends...sorry. At best, you'll receive hints of behavior in the studio and notes on personalities Johns liked and disliked. He doesn't seem afraid to call out a unpleasant person or his opinion of how Phil Spector "puked all over" Let it Be.
If the science behind recording music fascinates you, you will enjoy Sound Man. You won't find any more personal insights on your favorite musicians that can't be read elsewhere, but the light personal touches and style of the book make it easy and interesting to read.
ARC received from the publisher via NetGalley
Kathryn Lively is an author and book blogger.
Monday, September 22, 2014
Wednesday, April 4, 2012
Kent Hartman's account of this group's evolution in The Wrecking Crew (AMZ) puts focus on a number of players, some within the crew and others the peripheral movers in the music business who benefited from their skills. Some names may be familiar with students of early rock -- drummer Hal Blaine who coined the moniker, the lone female Carol Kaye, and the rare crossover success story, Glen Campbell. For much of the 50s through the 70s, when singing groups tended the dominate the charts more often than actual bands, the Wrecking Crew handled the majority of studio performances, including songs by Simon and Garfunkel, Sonny and Cher, The Beach Boys (some of the crew would actually tour as ersatz members), The Monkees, The Grass Roots, The Fifth Dimension, and so forth.
The Wrecking Crew presents the evolution of the rock era through a series of vignettes that paint a colorful picture of the industry -- from tales of Sonny Bono's ballsy maneuvering into the business to dealings with the enigmatic Brian Wilson. The book presents a most fascinating history.
Kathryn Lively is a mystery author and book blogger.