Nothin' to Lose: The Making of KISS (1972-1975) by Ken Sharp with Gene Simmons and Paul Stanley

ARC received from the publisher via Edelweiss.

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As I sit to write this review, KISS is scheduled to perform where I live. Being elsewhere at the moment, it appears the opportunity to see the band play live has eluded me once more. I will admit, though, (and not to slight Eric Singer and Tommy Thayer) if the day does come I hope I get to see the original lineup. It would take a miracle, I know, but such sentimentality keeps me from spending money on acts that have replaced key players. When Rush puts Darren Stephens in place of Alex Lifeson, I'll know it's the end.

On this blog you'll find reviews of both Ace and Peter's memoirs. Where these books cover the entire span of KISStory and beyond, Nothin' to Lose does as advertised: it's a lengthy eyewitness account of the band's birth told in the oral history fashion similar to Sharp's other effort, Starting Over (also reviewed here). While this method of storytelling brings many voices to the forefront, I find this style risks the loss of an objective point of view. The book's introduction about KISS reads like a gushing fan letter, which didn't irritate me but did leave me wondering if any unflattering remarks or anecdotes didn't make the cut under the watchful eyes of Gene and Paul.

Nothin' compiles the memories of a huge cast involved in the band's genesis as Wicked Lester through their early association with Casablanca Records. More than thirty years after his death, Neil Bogart represents an enthusiasm for KISS's showmanship and drive through archived interviews - you also hear from early fans (many relatives and close friends of the original members), early road crew, former managers, and other musicians. Yes, I do give them points for an extensive section on the Rush/KISS connection, the Bag Man story, and an amusing picture of Geddy Lee covered in whipped cream that a few people I know will want to see.

You might wonder, how are Peter and Ace represented here? They do have voices, though Peter's contribution to Nothin' isn't as large as Gene and Paul's, and Ace appears less frequently. Nothin' to Lose offers a view of the early days of KISS with little evidence of in-fighting - maybe a few vocal concerns about drug and alcohol, but otherwise everybody plays nice. This doesn't mean you won't find gossipy bits to enjoy; I came away from the book with the perfect Boogie Nights image in my head about Casablanca. Nobody can accuse the 70s of being boring, and despite the healthy size of the book I wanted to read more. 1975, where the book technically ends, marks the beginning of the golden age of KISS. Tales of the humble start, from the tiny clubs and an odd Seinfeld connection, provide a wealth of memories for fans - perhaps this book's success will inspire a second volume.

Rating: B

Kathryn Lively is a mystery author who still hasn't seen KISS live.

When They Were Boys: The True Story of the Beatles' Rise to the Top by Larry Kane

ARC received from NetGalley.

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Some of you may be groaning to see yet another Beatles book reviewed on this blog. What can one possibly learn from a new title, and how can we be sure this is the true story of the Fab's early years? Having read so many books over the decades, one would think I could recite the story by heart. So many Beatle "insiders" and witnesses to the early days of Hamburg and Liverpool - it's nice to know so many are still kicking after fifty-plus years - and it appears that journalist/writer Kane has attempted to include as many as possible in When They Were Boys. This book doesn't cover the whole of the Beatles' career, but concentrates on the beginnings of the Quarrymen through the mid-1960s at the stirrings of the takeover of America.

Beatle die-hards know Kane's name - he traveled with the Beatles as a reporter during their 64-65 American tours, and he's authored other books on the band. Personal encounters with the boys are represented here in conversations peppered throughout, but you won't find current cooperation from the surviving members. When They Were Boys instead calls on the memories of those present before the record deals, names already familiar to die-hards: Astrid Kircherr, Pete Best, John's sister Julia Baird, Bill Harry (who published Mersey Beat), and Horst Fascher (performer and club owner in Hamburg). Voices of the departed - Neil Aspinall, Mal Evans, Mona Best, etc. - are also present, as is input from Yoko Ono, speaking from memories of conversations with John.

With all of this participation, and the author's personal experience, one could argue this is a thorough account of early Beatles history. Some stories are familiar, others appear revealed as Kane charges that some biographers may have attempted to rewrite the story by omitting certain points. As much as I've read of Mona Best's involvement, I don't often hear of her reaction to her son's dismissal/resignation from the band, or of exactly how popular Pete was during these years. Kane also takes the time to point out how some biographers want to minimize May Pang or erase her entirely, but it's not something I've seen in Lennon biographies.

The narratives aren't the most compelling as compared to other Beatles biographies and histories, and some may bristle at mentions of Paul and Ringo's lack of cooperation/interest in the this project. To note that neither attended a funeral of an insider, for example, seemed almost chiding. Nonetheless, Boys is informative, and a book new students will appreciate.

Rating: B-

Kathryn Lively is the author of the Rock and Roll Mysteries featuring Lerxst Johnston: Rock Deadly and Rock Til You Drop, and of the collection of short stories, The Girl With the Monkee Tattoo.

The Kennedy Chronicles: The Golden Age of MTV Through Rose-Colored Glasses by Kennedy

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ARC received by the publisher via NetGalley.

I made it known on a message board I co-admin that I planned to read this book, despite having very little memory of Kennedy, as an MTV VJ or otherwise. I knew the name, knew she was somebody, but I honestly have no recollection of seeing her on the channel, or of watching MTV at all during her five-year tenure. The subtitle of her memoir defines the early-to-mid 1990s as the golden age of MTV, and some may debate that. Me, I saw it as the beginning of the end, the transition from grab-bag video roulette that scheduled Motley Crue to follow The B-52's to follow The Doors to more structured programming that parsed videos by sub-genre and gradually doled out time slots to irrelevant shows. The 1980s had music videos, the 90s had Beavis and Butthead and Jenny McCarthy. By the time Kennedy appeared on the scene I was a college graduate in Athens, Georgia spending more time outside.

Nonetheless, I wanted to read her book in tandem with VJ, the oral history of MTV's genesis as told by four of the surviving original VJs. I thought it interesting to see both books come out around the same time, thereby allowing us a personal view of the network's evolution. First response from my message board post: You're lucky you don't remember her. I do, and she fuckin' sucked.

I haven't asked for specifics, but the "fuckin' sucks" opinion is one Kennedy seems to acknowledge. You either loved her or you wanted to poke her with sharp, fiery sticks. To make up for my neglect of MTV in the 90s, I researched clips on YouTube to find a hostess resembling a bespectacled Darlene Conner, only more interested in her environment. Not enough material to determine if she fuckin' sucked at her job, so I'll let more seasoned critics decide that. In The Kennedy Chronicles, the author recounts her time at MTV and within the music scene at the time, devoting entire chapters to specific encounters and/or relationships with the era's notables - among them Henry Rollins, Billy Corgan, and Dave Navarro. There's also talk of her colleagues - some mentioned merely in passing, others with a hint of bemusement (*cough* Kurt Loder), and a few she viewed with respect (Tabitha Soren, the one I do remember watching in this time).

From what I gathered in this collection of rambling vignettes (which are interspersed with chapters that serve as interviews with a number of these musicians), Kennedy was basically the 90s rock galpal, couch surfing at rock stars' homes and grimacing as everybody at MTV kissed Clinton's ass during a major youth vote campaign - apparently Kennedy was quite a unicorn at 1515 Broadway, perhaps the lone conservative among her peers. While many stories provide nice gossip, not all have happy endings. There's little affection spared for Courtney Love and Puck from The Real World, and you'll learn more about Jenny McCarthy's bowel habits than you'll care to know. I do wish I had more access to MTV archives to know if Kennedy's broadcast style matched her writing, regardless of the twenty-year gap. To me, the book rambles, and while fans may enjoy the "interview" chapters I thought them out of place, as though others encroached on Kennedy's time by sharing their memories.

Whatever you think or thought of Kennedy, her legacy is cemented in her short MTV tenure, and The Kennedy Chronicles serves as an interesting, albeit uneven, history of the time. Fans of the VJ and the musicians featured in her anecdotes will likely appreciate the book the most.

Rating: C

Kathryn Lively is the author of the Rock and Roll Mysteries featuring Lerxst Johnston: Rock Deadly and Rock Til You Drop, and of the collection of short stories, The Girl With the Monkee Tattoo.